The Reviews are in… Critics Rave!
Laura Murray Public Relations has been hard at work for many months raising awareness for Blackbird Theatre’s anticipated production of Waiting for Godot. You might… keep reading
Tag: Arts Marketing
Peeling Back the Curtain: Five Ways to Take Audiences Behind-the-Scenes
Arts organizations are a bit like icebergs: the part that the world sees – performances, exhibitions, installations – is just the tip, with a massive… keep reading
Unscripted. Unstaged. Stephen White.
Unscripted. Unstaged. is an interview series from Laura Murray Public Relations that speaks with fascinating artists, advocates, administrators, and other individuals who keep the Canadian… keep reading
Unscripted. Unstaged. Mirjana Galovich.
Unscripted. Unstaged. is an interview series from Laura Murray Public Relations that speaks with fascinating artists, advocates, administrators, and other individuals who keep the Canadian… keep reading
Blackbird Theatre and LMPR Throw Down the Gauntlet
The process of mounting Waiting for Godot has brought to light the scourge that is waiting– and we will no longer stand for it. Blackbird… keep reading
The Making of Svengali: Episode Two
The second video in the ‘Making of Svengali” series, presented by the Royal Winnipeg Ballet, has just been released, highlighting the evolutionary process of choreographer… keep reading
Designing for Godot
As this article is typed, reams of pristine, white paper are rolling through a press in an East Vancouver warehouse. Once the ink is dry,… keep reading
A First Glimpse at the Royal Winnipeg Ballet’s New Creation
We’re in the early days of an exciting marketing campaign promoting the Royal Winnipeg Ballet’s newest work, Svengali. The ballet represents a return to… keep reading
The Top 10 Reasons to Support the Arts
In a time when government funding is ebbing and public dialogue occurring around how tax dollars should be utilized, it is important that those of… keep reading
On the Discounting of Tickets (Part Three)
In previous posts we discussed the use of ‘Pay What You Can’ and ‘Under 30‘ ticketing strategies to attract new audiences to theatre performances. This… keep reading