The Making of Svengali: Episode Two
The second video in the ‘Making of Svengali” series, presented by the Royal Winnipeg Ballet, has just been released, highlighting the evolutionary process of choreographer… keep reading
Author: mpmg
Review: The National Ballet of Canada at the Queen Elizabeth Theatre
It feels appropriate to heap superlatives on the National Ballet of Canada (NBOC) – the striking company took to the stage, at the Queen Elizabeth… keep reading
Review: True Love Lies at The Cultch
Playwright Brad Fraser’s 2009 work, True Love Lies, received its Vancouver premiere at The Cultch last night. Characteristic of Fraser’s past plays, the dialogue is… keep reading
Unscripted. Unstaged. Kathleen Bourchier.
Unscripted. Unstaged. is an interview series from Laura Murray Public Relations that speaks with fascinating artists, advocates, administrators, and other individuals who keep the Canadian… keep reading
John Alleyne Choreographs for Dance Theatre of Harlem
Our wonderful client, Choreographer John Alleyne, spent a portion of the summer working with the incredibly talented artists at Dance Theatre of Harlem. At… keep reading
Designing for Godot
As this article is typed, reams of pristine, white paper are rolling through a press in an East Vancouver warehouse. Once the ink is dry,… keep reading
The Impressive Journey of Ballerina Mary Helen Bowers
I continue to watch, with admiration, the impressive journey of Mary Helen Bowers – the creator of Ballet Beautiful and dance instructor/trainer for Natalie Portman’s… keep reading
A First Glimpse at the Royal Winnipeg Ballet’s New Creation
We’re in the early days of an exciting marketing campaign promoting the Royal Winnipeg Ballet’s newest work, Svengali. The ballet represents a return to… keep reading
The Top 10 Reasons to Support the Arts
In a time when government funding is ebbing and public dialogue occurring around how tax dollars should be utilized, it is important that those of… keep reading
On the Discounting of Tickets (Part Three)
In previous posts we discussed the use of ‘Pay What You Can’ and ‘Under 30‘ ticketing strategies to attract new audiences to theatre performances. This… keep reading